SKU: 87728250017

Fender Stratocaster 70 Years

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Fender Stratocaster 70 YearsAuthoritatively written and lavishly illustrated, Fender Stratocaster 70 Years is the officially licensed anniversary celebration of this legendary guitar. Ever present in the music world, the Fender Stratocaster guitar is also an icon of popular culture, its attractive lines and innovative features as forward looking today as they were when Leo Fender introduced the guitar to the world in 1954 . In Fender Stratocaster 70 Years , musician and guitar

Authoritatively written and lavishly illustrated, Fender Stratocaster ® 70 Years is the officially licensed anniversary celebration of this legendary guitar. Ever present in the music world, the Fender Stratocaster® guitar is also an icon of popular culture, its attractive lines and innovative features as forward-looking today as they were when Leo Fender introduced the guitar to the world in 1954 . In Fender Stratocaster ® 70 Years , musician and guitar historian Dave Hunter traces Stratocaster® guitars across seven decades and into the present , beginning with Leo Fender’s triumph of mid-century design originating in his modest shop in Fullerton, California. From there, Hunter explores:   Groundbreaking features of the new design in the context of the contemporary guitar market and Fender’s existing Telecaster ®  guitar. The Stratocaster’s solidbody three-pickup configuration, “tremolo” bridge, bolt-on neck, and contoured body, as well as the roles that country pickers played in the guitar’s early development. Design improvements undertaken throughout the Stratocaster’s first decade, such as the introduction of a rosewood fingerboard and Custom Color options to complement the initial Sunburst finish. CBS’s 1965 acquisition of Fender and its effects on company culture and the Stratocaster, as well as the 1985 acquisition of Fender spearheaded by a group of employees. The creation of the Fender Custom Shop and that elite group’s relationship to the Stratocaster over the years. Fender’s forward-thinking combination of vintage specs and materials with modern features in Stratocaster guitars that offer classic styling and current conveniences. Along the way, Hunter contextualizes the evolving Stratocaster within the contemporary guitar industry and shows the relationships that admired players throughout the decades have enjoyed with this guitar , including Jeff Beck, Eric Clapton, Dick Dale, Jimi Hendrix, Yngwie Malmsteen, Bonnie Raitt, Stevie Ray Vaughan, Buddy Guy, and H.E.R.—to name a few!   Illustrated throughout with rare images from the Fender archives, Fender Stratocaster 70 Years ® treats readers to rare behind-the-scenes views of the shop floor and Custom Shop throughout the years,  studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players. Often imitated but never duplicated, the Fender Stratocaster® remains a triumph of design more than seven decades on. This is the official and definitive illustrated story of this guitar—and a must-have for every guitar enthusiast.

EAN: 9780760385166
Farbverschnitt: Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen.
Erscheinungsjahr: 16.04.2024
Beilage: Schuber
Autoren: Hunter, Dave
Seitenzahl/Blattzahl: 224
Abbildungen: 300 color photos
Themenüberschrift: MUSIC / Musical Instruments / Guitar
Fachschema: Antiquitäten~Englische Bücher / Musik~Gitarre - Bassgitarre - E-Gitarre~Musik / Musiklehre, Musiktheorie, Wissenschaft~Musikgeschichte~Instrument (Musikinstrument)~Musikinstrument~Pop (Musik)~Rock (Musik)
Fachkategorie: Musikkritik~Unterhaltungsmusik, Popmusik~Musikgeschichte~Antiquitäten und Sammlerstücke: Musikinstrumente
Imprint-Titels: Motorbooks International
Länge: 288 mm
Breite: 248 mm
Höhe: 33 mm
Gewicht: 1758 gr
Produktform: Gebunden
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SKU: 87728250017

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4.3 ★★★★★
Based on 23 reviews
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Parker
Fort Morgan, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
C
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Clare Quilty
Belleville, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Charlottesville, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Houston, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
A
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Amazon Customer
Grantham, US
★★★★★ 5
Whiter teeth with out the trays
Size: 3.8 Ounce (Pack of 1)
Love this toothpaste! My teeth are a lot whiter and brighter. Doesn’t leave a bad taste in my mouth. Highly recommend this product.
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Reviewed in the United States on May 24, 2026

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