SKU: 75060015725

Adamantium Audio Rahmenleinwand Crystal Flat 21:9

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Description

Adamantium Audio Rahmenleinwand Crystal Flat 21:9Die hochwertige Adamantium Audio Rahmenleinwand Crystal Flat ist in diversen Gren erhltlich. Rahmenleinwand 21: 9 CinemaScope (2,35: 1) Konfektioniert mit dem akustisch transparenten Adamantium Audio Crystal Screen Sehr gut geeignet fr 4K Projektion Spezifikationen: Beflockter Aluminiumrahmen (Breite: 87mm Tiefe: 37mm) Perfekte Planlage mittels Federspannsystem Sehr fein gewebtes Tuch (Adamantium Audio Crystal Screen) Akustisch Transparent Geringe

Die hochwertige Adamantium Audio Rahmenleinwand Crystal Flat ist in diversen Größen erhältlich.

  • Rahmenleinwand 21:9 CinemaScope (2,35:1)
  • Konfektioniert mit dem akustisch transparenten Adamantium Audio Crystal Screen
  • Sehr gut geeignet für 4K Projektion

Spezifikationen:

  • Beflockter Aluminiumrahmen (Breite:87mm / Tiefe: 37mm)
  • Perfekte Planlage mittels Federspannsystem
  • Sehr fein gewebtes Tuch (Adamantium Audio Crystal Screen)
  • Akustisch Transparent
  • Geringe Dämpfung ab 1,5kHz bis ca. 2,5dB
  • Gain: 0,85 (genuin)
  • Betrachtungswinkel: 160° 
  • Sehr gut geeignet für 4K und 3D
  • Nicht geeignet für Kurzdistanzprojektoren
  • Moiré-free

Erlebe das ultimative Heimkino-Erlebnis mit unseren hochwertigen Rahmenleinwänden!

Unsere Leinwände sind mit einem beflockten Aluminiumrahmen ausgestattet, der für maximale Stabilität und Langlebigkeit sorgt. Das Federspannsystem gewährleistet eine perfekte Planlage und das sehr fein gewebte Adamantium Audio Crystal Screen Tuch garantiert eine beeindruckende Bildqualität. Zudem ist das Tuch akustisch transparent und ermöglicht dadurch ein unvergleichliches Klangerlebnis.

Unsere Rahmenleinwände bieten eine geringe Dämpfung ab 1,5 kHz und einen Gain von 0,85 (genuin), wodurch eine optimale Bild- und Tonqualität gewährleistet wird. Der Betrachtungswinkel von 160° sorgt dafür, dass jeder im Raum das perfekte Seherlebnis hat. Unsere Leinwände sind perfekt für 4K- und 3D-Projektionen geeignet.

Unsere Leinwände sind jedoch nicht für Kurzdistanzprojektoren geeignet, aber moiré-frei, was für ein störungsfreies Seherlebnis sorgt.

Überzeuge dich selbst von der unglaublichen Qualität unserer Leinwände und erlebe Filme, Games und Serien wie nie zuvor!

Hinweis zum Aufbau: Die Rahmleinwand besteht aus vier Aluminiumprofilen und vier Eckwinkeln, die miteinander verbunden werden. Das Leinwandtuch wird dann mithilfe von Federn in den Aluminiumprofilen gespannt. Um die Leinwand zu befestigen, werden zwei Aufhängungen an der Wand montiert, und der Rahmen wird einfach in die Aufhängungen eingehängt und an den Unterkante mit einem Winkel fixiert. Die Installation ist unkompliziert und kann am einfachsten mit Hilfe von einer zweiten Person durchgeführt werden. Eine detaillierte Anleitung und das benötigte Werkzeug zum Spannen der Federn sind im Lieferumfang enthalten. Gerne senden wir Ihnen die Anleitung als PDF auch schon vorab, via E-Mail, zu.

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SKU: 75060015725

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4.8 ★★★★★
Based on 30 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Draper, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Alexandria, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Waukegan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Charlottesville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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