SKU: 61660510033

Alter Sarough | 202 cm x 143 cm | Nr. Z-3602

Sale price$399.60 Regular price$444.00
Save 10%

Pay in installments of $111.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 4 - Aug 9

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Alter Sarough | 202 cm x 143 cm | Nr. Z-3602Floraler alter Sarough, hellrot mit Bordre und Medaillon Herkunft Persien Mae 202 cm x 143 cm (= 2,8886 qm) Herstellung handgeknpft Material Flor: Wolle Schuss & Kette: Baumwolle Knoten m2 160. 000 Florhhe 6mm Herstellungsjahr 1950 Farbe Hellrot Auflage Einzelstck Herkunft Dieser Teppich stammt aus Sarough (auch Sarouk, Saruk oder Sarogh). Sarough zhlt zu den bekanntesten Teppich Knpfgebieten des Irans. Gelegen in der westpersischen Provinz Aarak

Floraler alter Sarough, hellrot mit Bordüre und Medaillon

Herkunft
Persien
Maße 202 cm x 143 cm (= 2,8886 qm)
Herstellung handgeknüpft
Material Flor: Wolle
Schuss & Kette: Baumwolle
Knoten/m2 160.000
Florhöhe 6mm
Herstellungsjahr 1950
Farbe Hellrot
Auflage Einzelstück

Herkunft

Dieser Teppich stammt aus Sarough (auch Sarouk, Saruk oder Sarogh). Sarough zählt zu den bekanntesten Teppich-Knüpfgebieten des Irans. Gelegen in der westpersischen Provinz Aarak umfasst es die Provinienzen Arak, Djozan, Ghiasabad, Mahal, Malayer, Mohajeran, Sultanabad und Wiss. In Sarough werden Persermuster aller Gattungen, zum Teil auch nach Angaben der Besteller geknüpft. Mit Vorliebe werden auch die benachbarten Farahan sowie die eigenen Sultanabad Designs und das aus Paisley Motiven bestehende, sogenannte Mir-i-Boteh-Muster realisiert. Typisch für diese Teppichgattung ist die sehr gute Wollqualität des Flors; denn die Schurwolle stammt aus dem persischen Hochland. Das Untergewebe – Kette und Schuss – besteht allerdings in der Regel aus Baumwolle. Bei alten und antiken Teppichen findet man häufig einen blauen Schussfaden. Die Knüpfungen sind sehr fein und der Flor relativ hoch. Dieser alte Sarough ist rund 70 Jahre alt und ein echtes Liebhaberstück.

Muster

Die verzierte Umrandung (Bordüre) bildet einen herrlichen Kontrast zum Zentrum und gestaltet den Übergang am Rand des Teppichs.

In der Mitte des zentralen Feldes dieses Saroughs liegt das symmetrische Zentrum, das auch Medaillon genannt wird. Die Gestaltung des Feldes ordnet sich dem Medaillon unter, sodass der Eindruck entsteht, das Medaillon treibe auf dem Feld.

Die üppigen Blumenmotive dieses Saroughs sind elegant und abwechslungsreich gestaltet. Die anmutigen vegetativen Symbole, die Blüten, Blätter und Äste darstellen, sind kunstvoll ineinander verschlungen.

Der Hintergrund dieses Saroughs ist Hellrot. Der Rand ist in den Farben Dunkelblau, Hellrot und Creméweiß gestaltet. Im Zentrum sind die Farben Creméweiß und Hellrot kombiniert.

Zustand

Dieser Sarough hatte bereits Liebhaber vor Euch. Er wurde ca. 1950 handgeknüpft. Er wurde gründlich gereinigt und ist in einem guten aber unrestaurierten Zustand. Der Flor ist ziemlich gleichmäßig etwas dünner geworden über die Jahre. Wir haben diesen Sarough nicht restauriert, weil wir finden, dass er so wie er ist einen besonderen Charme hat. Wenn ihr das wollt, restaurieren wir den Teppich natürlich gerne für Euch. So oder so wird dieser Sarough Euch noch für Jahrzehnte Freude bereiten.

Material

Der Flor dieses Saroughs wurde aus hochwertiger Schurwolle handgeknüpft. Schurwolle wird durch das schonende Scheren von Schafen gewonnen. Schurwolle ist ein nachwachsender, natürlicher Rohstoff mit einer Reihe beeindruckender Eigenschaften: Durch den natürlichen Fettgehalt der Wolle stößt die Oberfläche Wassertropfen ab und ist so auf natürliche Weise gegen Schmutz imprägniert. Wolle bietet außerdem eine hervorragende Wärmeisolation, wirkt regulierend auf das Wohnklima und dämpft den Schall. Die Schuss- und Kettfäden dieses Saroughs bestehen aus Baumwolle. Das vielseitige Material ist reißfest und dehnbar und daher besonders geeignet für ein strapazierfähiges Untergewebe.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 61660510033

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.8 ★★★★★
Based on 5 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
David Bankston
Dallas, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 3, 2000
J
Verified Purchase
Jav M
Chelsea, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 1, 2024
A
Verified Purchase
anonymous name
Port Orchard, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 27, 2001
L
Verified Purchase
L. D. Weimer
Omaha, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 4, 2015
C
Verified Purchase
charles d barber
Los Angeles, US
★★★★★ 4
Absolutely beautiful poetic translation occasionally marred by silly attempts at contemporary relevance
Format: Paperback
Poetry is something I seldom read, but the range of philosophical and religious reflection in Hafiz' writing is amazing, delightful, and life-affirming. Not every poem is equally rewarding, but how could they be? The translations make these ancient short poems speak to the present day, but sometimes too much so--using terms that have only come into our language in the 20th or 21st centuries at times borders on "cutsie", which distracts from the true meaning. When Ladinsky sticks to standard and time-tested language and grammar, his translations have much deeper impact, for me anyway. I have not read other translations of Hafiz, but I imagine previous ones are full of "thee's" and "thou's", and less erudite perspectives. I highly recommend this book--for me is has more understanding and depth concerning daily living than Rumi, for instance. Just beware that there are some shockingly off-the-mark, if sincere, attempts to make this ancient poetry relevant to us now. Ladinsky apparently spent years working on this book, so my hat is off to his scholarship.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 16, 2017

recommand products