SKU: 44645870936

LED Glühbirne | Thin Filament Squirrelcage Teardrop E27

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Description

LED Glühbirne | Thin Filament Squirrelcage Teardrop E27Unsere 7W Filament SLIM Spiral Rustikalampe zeichnet sich durch Ihre einzigartige Optik aus. Die ultra dnnen gewendelten Filamente machen das Leuchtmittel zu einem Kunstwerk. Die vertikal Ausrichtung der LED verleiht dem Leuchtmittel einen Look wie vor 100 Jahren. Zustzlich wird durch die sehr warme Lichtfarbe von 2. 500K ein behagliches Ambiente erzeugt. Sie ist mit der modernsten LED Technologie ausgestattet und weit somit eine hohe

Unsere 7W Filament SLIM Spiral Rustikalampe zeichnet sich durch Ihre einzigartige Optik aus. Die ultra dünnen gewendelten Filamente machen das Leuchtmittel zu einem Kunstwerk. Die vertikal Ausrichtung der LED verleiht dem Leuchtmittel einen Look wie vor 100 Jahren. Zusätzlich wird durch die sehr warme Lichtfarbe von 2.500K ein behagliches Ambiente erzeugt. Sie ist mit der modernsten LED-Technologie ausgestattet und weißt somit eine hohe Dimmerkompatibilität auf. Der niedrige Stromverbrauch der Filamente wird durch die gute Energieeffizienzklasse bestätigt. Das Lumenpaket unserer Filament lässt sich mit einer 50W herkömmlichen Glühlampe vergleichen.

Farbe: gold
Abmessungen: Breite: 64mm, Höhe: 140mm
Spannung: 230 Volt
Leistung: 7 Watt
Dimmbar: Ja mit LED-Dimmer
Sockel: E27
Lichtstrom: 640 Lumen
Farbtemperatur: 2500 Kelvin
CRI > 80
Lebensdauer: ca. 15000 Stunden
Energieverbrauch: 7 kWh/1000h
Anzahl Schaltzyklen: > 50000
Ursprungsland: China
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SKU: 44645870936

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4.1 ★★★★★
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Product Reviews
T
The Art and Making of
Massapequa, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Pawtucket, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Charlottesville, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Birmingham, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Alexandria, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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